The night is well-fed. It has gorged itself on
half-a-dozen Kashmiri dishes, and it’s now lying back like a stuffed bear in an
enveloping armchair, soundtracked by Jagjit Singh’s
paper-boat-flowing-in-a-rainwatery-stream-of-gravel-mixed-with-amber-honey
voice. The Indian Mark Knopfler, in
terms of sheer amatory power. Mum changes the CD, puts on ‘Old Hindi Evening’.
I’ll have two tablespoons of schmaltz with my post-dinner tea, please.
…
Aur tujhse haseen, tera pyaar.
...
It’s a wet night. Outside, the moon is crying
in satin sheets and the clouds are murmuring in sympathy. It’s a low
rumble. Lovers. It reminds me of you. Everything does, these days. The sound of
running water down the walls of this beautiful red brick house. A smell which
could have been yours, which you could have worn like a maroon coat one day, if
I’d known you for long enough. A movie which you would have liked. A poem. Oh,
a poem. A burgundy poem. Maybe one about the stars and the birds and the clouds
and the ghostly galleon of a moon and crimson love underneath the humid trees
on such a blankety, cold night.
I want to write for you. I want to create for
you. The only thing I can create is poetry (though it seems a fancy word for
what I write), and I shall praise my private, banging-off-the-walls-of-my-skull
love with my words. My affection is the fountainhead of my poetry. I shall
build you up in a dozen sentences and screaming syntax, make you out to be
something you can never be. It shall be but a reflection of that is within my
mind; what the shivery gossamer membrane of my aesthete-brain foolishly dreams
you to be. It is a falsehood, and it exists only within my head; it is all the
more real for it. I shall praise your hipster shirts and your burgundy pants
(‘burgundy’ tastes like a treacly pudding), the subtle ornamentation and
oversized glasses to the heavens, and it shall all pour down upon me in
clanging brass pots and pans.
I’ve met you so many
times in my sleep. Maybe that’s why you seem so familiar. I’m in love with the
emotion that drenches me when I catch a glimpse of your illuminated face in the
muddy marshes of my mindscape.
You are, sometimes, a set of geometric straight
lines, black on white, crisscrossing. And sometimes, you are a honeyed flower, a
freckled ruby in Nature’s trousseau, a harmonic in an amber-toothed symphony.
Or maybe you’re none of this, and these are all fruits of my mind. Maybe you’re
a fruit of my mind. A passionfruit.
Words. Such lying, traitorous, fickle
instruments. Beautiful, in the way
choreographed violence is. Lord Shiva is beautiful. Poison is beautiful. I am
Shiva. And you are a collection of syllables.
Your name is too fragile for the external. Too
unattached, too free, too dreamy. It comes to me in my sleep, floating on a
visual four-note allegro of your eyes and your nose and your hands and your frowning
lips. So let’s drink your name in. Let’s wrap it up in rolling paper and inhale
the burning sounds, singe our lungs with your incorporeal beauty, defile their
friable pinkness with the soot of the distance between us. We won’t use a
filter.
…
Tu, jaane na.
Ah, self-pitying beauty. The lakes of my eyes shall overflow at the corners and shall run down like twin drains – they carry the refuse of the past – and shall stain my shirt, leave sallow puddles. Shall stagnate, and stink.
…
But the ashes of the night are
smoldering, now. It’s time to go to bed.
…
Goodbye. I’m sorry. Goodnight.