Friday, 21 September 2012

Monsoons in Puné



...

It has been raining for days, now. Since last Friday. The ground has turned into a vast oil-pastel-brown bucking snake, a water-mattress of chocolate Jell-O. The birds are quiet – their soggy songs crouch sulkily in their muddy, twiggy nests. The children are playing way past their bedtime. The house is fading in the dimming light. It begins.

The wind gusts in transparent tendrils through the wire-mesh of the bathroom exhaust, tickles. The wind. He knocks on the front-door windows, but his vibrating fingers bear rings carved out of cold metal, and it would not do for this impetuous stranger to enter and defile the muted, golden warmth of the leather-lined drawing room. He screams in frustration. Bangs on the doors and windows. Incites the dogs of the house to rebel against inculcated silence, and scares the children into their vanilla beds. Jeweled raindrops scratch against the glass of my bedroom window; shrapnel of the explosions in the sky. Friends of the wind have arrived finally, to help him in his assault on the house. Emboldened, he howls, and the sea-sky is torn apart. Milky electricity spills through the jagged rents in the blue-green fabric, splays shadows across our patchwork quilt – underneath which you hide on my chest, and I nuzzle yours. The thundering storm is the background score of our love. The wind is an old voyeur, and his moans mask ours. The creaking of the stairway conceals the rhythms of our bedroom. Outside, everything is making violent, desperate love, in a massive orgy of light and sound and movement, and inside, our love is gasping its final, heaving sighs. 

Tomorrow, our bed shall split down the middle, and the rains shall subside.

Sunday, 16 September 2012

It's all a giant metaphor ('Non sequiturs')


A mattress of grey cold has settled. The entire world is in limbo. Splotches of wet colour rest sulkily on the sheets of empty rain: a tree here, a fluorescent raincoat there. The freshly laundered morning smells of the earth and old times. I'd drink to accentuate the staid pleasure of the morning—alcohol is like MSG for the brain—but I don't want to partake of the profane this early. And besides, the day is a virgin yet. As I rub the sleep-pollen from my eyes, I see the blown raindrops caress the earth. It's homecoming for them. They lie, exhausted, from whence they came, happy to be home at last. And waves upon waves of their eager comrades fall to their death after them. Monsoons. The very protoplasm of life is in a sombre mood. Everything is quivering with awakening life. Everything is bathed in significance. It all means something. Everything is a metaphor. The trees! Oh the trees. I wish you could hear them. They're talking to me. They're telling me of the years their leafy eyes have seen; they have always felt the first drops of approaching rain. Their resting roots have drawn nourishment from them, and their leaves have washed in delight in the warm showers of a hundred monsoons.

I cannot understand how people can drive on Indian roads and not be dehumanized to the point of misanthropy.

The road is sweaty. Residual water streaks back from the windshield as the car gathers speed; the wind defies gravity. There's a metaphoric lesson there somewhere, but it escapes my notice for the sleep-deprived minute.

We just hit a dog. It appeared out of the bushes and ran in what appeared to be a desperate attempt to get to the other side of the road. There was an unhealthy bump, a startled yelp (as the dog struggled to come to grips with the sudden realization that it had been run over) and the dog spun like a top three times across the road before executing a mid-air pirouette and somehow landing on its feet and scrambling its way to freedom and a place less inhabited by cars. Dad didn't stop. I knew it hadn't been his fault; the dog had clearly just been reading Camus.

The bordering rows of plush foliage, the weeping sea-sky, the occasional Sunny da Dhaba, the occasional thought of you, the lonely bus stands, the maniacal truck drivers, the moist morning walking into the mild mid-day, the weathered signposts flashing by, the Goethe, the indecipherable milestones, the innumerable toll checks, the half-read Murakami, the thickhotsweet chai, the Radiohead, the itchy earphones, the flour-dusty towns, and always, the road, melded into one endless stream of thought-consciousness, almost as if I was experiencing the entire thing as a whole rather than as discrete units.

Travel helps me write. I’ve pondered over this fact, and I think I’ve realized that it’s because of the comfortable sense of motion—I’m going somewhere, I’m doing something, I’m excused from working, I’m Finally Moving. This idea of peregrination has often been the root of a mood which has subsequently borne the flowers (poems) and fruits (prose) of my artistic undertakings (the above sentence makes me sound like a moody writer. I’m really only a moody person [who has given up on academia and trying to earn a living and basically everything that leads to a comfortable, moneyed future. Wait a minute]). Trains in particular are my favoured modes of transportation. There’s something about the rocking motion of the berth that lulls me into a sensitive frame of mind. Plus, I can lie down, and this is wonderful for my comatose tendencies. Trains have neither the spondylitis-inducing crampedness of buses (I’m 6’3”) nor the sterility of air travel. I do have a have a favourite airplane-related ritual though—every time we take off, I listen to ‘Learning to Fly’ by Floyd on my iPod in gross violation of the No-Electronics-During-Takeoff-or-Landing rule; we got a badass in here, indeed. I can’t really talk about cars, because my father (I’m convinced) fancies himself an F1 hopeful; going into cardiac arrest every few minutes isn’t exactly conducive to the production of literature.

The first bead of sweat for the day hangs from the cliff of my eyebrow. The summer, held at bay by the laden clouds for so many hours, is creeping back in again.

Travel was never about the destination—it’s about the travel, and epigrammatic statements.

We shall soon reach Jammu. The light is dulling now. It shall soon be dark.


Life is a road. It’s all a giant metaphor.

Tuesday, 11 September 2012

Opiate of the Masses ('Dani Bug')


Her quivering touch leaves
A trail of glowing coals down the
Tail of my spine. Her citrus
Fragrance floats in her
Wake. Her hair is aflame
From my
Flailing loving. Why is my soul
Not exploding from the happiness?

So graceless, my little love.
So artlessly ingenuous your loving.
So exquisite you feel, when your
Sunny sighs drip like clotted
Honey from your half-open lips.
When my grooved finger
Rounds one of your bends, and you
Bound and twitch and strain
Against the pleasure.
Move through
Higher plains of consciousness, when
I call across the hills,
To pray
Your name.


Surely this happiness is
Worship? Physical love is my new ideology.
Your body is my temple, I enter
To pray.

Saturday, 8 September 2012

On Happiness

I can feel Aristotle's intellectual condescension singe across the twin curtains of Time and Death. Written on a lonely and beautiful September evening-night in Montreal, with a large rock (upon which I sat) as the only witness to my philosophical treason; the people of the City around me were too busy being happy.

...


I want to exist like a precipitated dew drop. Uncaring, and uncared for. Like a mote of music floating on this Fall-en, hollow breeze that toboggans through these inky streets; streets which meld together into an indeterminate crumbly canvas, upon which the ersatz electric sunlight splashes in discrete puddles.

Float.

Be borne like a seed on this callous wind, to settle in some fecund mind. Outside me, the dusking city whistles a long, low tone, absorbed in its Sisyphean pursuit of green derrieres. These distant stars, these

Imposter lambent rectangles, all vertically lined
Up like spectators at a play, that shine
And flicker so; spill their muted
Vivacity into the rattling night.


These faraway lighthouses on a beach
Of emerald gold;
Chase
emerald happiness.

Happy.

We’re all addicted to happiness. We’ve all got our methods of osmosis. Pure joy slips in and out like a dream, gone before we grasp her fleeting side-embrace; haunts us as we struggle to re-enslave her in the wake of the glare of the putrid afternoon sun.

She deigns to bestow her aquamarine kiss, some mellow evenings, on

A boy who spills
His creative load, moves from heaviness
To emptiness. Steals
A loving glance from her
In his fulfilled gasp; suspends time.

A girl who smokes
Shiva’s grassy essence; breathes of
His frothy beauty. Trades her
Lungs for an escaping infinity; suspends time.

A man who joins
His soul to the protoplasm of Life - through
Meditation, and mediation
Of his body’s fascinations. Smiles
For a second of Nirvana;
Suspends time.


Let’s all just exist. Uncaring. Uncared for. Caught in the split-second of the orgasm,
Or the numbing warmth of a green cigarette,
Or the dissolution of the yogi’s brain into the blackness of the back of our eyes.

We don’t need to be happy.
We just need to be.